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Celebrating our Ancestors at Day
of the Dead in Mexico
By Erin Everett
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It’s 10 p.m. and I am in the street
dancing behind a raucous parade. The tuba is right in front of
me — oompah, oompah! The man behind me is handing out tequila
shots to one and all. Noise, laughter, celebration are everywhere.
The rugged mountains around me ring with laughter and the homemade
firecrackers (cuetas) that sound like artillery fire. I am in
Mexico, and everyone in this small native town is in the streets
or the cemetery, celebrating their dead.
The parade turns the corner and heads up the narrow street beside
the ironwork gates of the ancient cemetery. Several of us move
out of the line and through the cemetery gates. This ancient place
is completely crowded. The graves with their stone slab tops and
their statue guardians are placed so close together that I can’t
walk between them. Most of them are freshly repainted and cared
for, and each is beautifully decorated with coxcomb flowers (a
type of red-flowering amaranth) and crosses of huge marigolds.
Candlelight is everywhere, with wax candles burning on every grave.
Some graves have images of the Virgin of Guadalupe, some have
wooden crosses or religious amulets, and all are breathtaking.
This place has been used for time out of mind by these people
and their ancestors. It has been crowded for a century. When someone
dies, they dig the grave on top of an already existing one, mingling
the new bones with the bones of their grandfathers and grandmothers.
On this November second, the official Dia de los Muertos, the
cemetery is not only filled with the dead, but with their sons
and daughters, the ones still living. People fill the cemetery
with laughter, celebration, and reverence. The townspeople sit
on and around the graves, offering visitors tequila and chicken
with rich, chocolatey molé sauce, pan de los muertos (bread
of the dead), and sugary confections. They tell us about their
aunts and grandfathers, their baby nephew lost in infancy. They
paint a picture in your mind’s eye of their relatives by
describing personality quirks and deep memories; it’s as
if the people they’re discussing are right there. You can
feel the spirits of the dead draw closer, listening to the stories
about their lives, partaking in the food being offered to honor
them. The stories are punctuated by deafening gunpowder shots
of the local fireworks.
Two nights ago, on October 31, the festivities truly began as
villagers set up altars inside their houses and children took
to the streets in Halloween costumes, knocking on doors for candy.
I opened the door of the posada where I was staying and invited
the miniature demons, skeletons, and ballerinas in, and they rewarded
my handful of treats with a series of beautiful songs, sung only
on Day of the Dead. Yesterday (November 1) was Dia de los Angelitos
(Day of the Little Angels), a celebration of the children who
died in infancy and childhood. As I walked through the streets,
I followed yellow trails of marigold petals through open doors
to lovingly created altars sporting images of the dead, colorful
decorations, candy skulls made of sugar and amaranth, and items
dear to the ancestors being celebrated.
Throughout the days, I see parades of people carrying coxcomb
and marigolds to decorate altars and graves. Throughout the nights,
I lie awake, jolted by firework explosions and entertained by
brass bands performing in top form until 4 a.m. I am struck with
wonder at these people’s wisdom and balance. Materially,
they have nothing, less than nothing compared to U.S. standards,
yet they are filled with purpose and happiness. They smile shyly
when you pass in the street; they open their homes and their hearts
to you in celebration of their ancestors. They spend every minute
of their time together, celebrating the life they’re given.
They live in thankfulness and the beauty of traditional community.
This is not to say that there are no problems here: poverty is
rampant, the weather is harsh and arid, the work is very hard.
Smog from the city and the slash and burn agriculture and bacteria-laden
dust fills the lungs. But from what I can see, life is filled
with celebration and gratefulness. They have something that we’re
missing: their connection to the world around them is unbroken,
as is their connection to each other and to their ancestors. They
don’t have the privilege and curse of walls between people,
between humans and nature. These people work the land, the land
gives back to them, they are thankful and they celebrate! The
land seems happy with this exchange.
My group of first world wanderers, most of us white folks from
the U.S., put together our own altar. Since it was my first time
in Mexico during Dia de los Muertos, I hadn’t known to bring
items from home, but as I saw my fellows putting out framed photos
of their loved ones, I was struck by the strangest mixture of
emotions. I felt a deep grief that I had never permitted myself
to feel about the elders in my life who had passed through the
veil: my grandmothers, my aunts, my father, my grandfathers who
I had never known. At the same time, I felt an inexplicable happiness,
welling up from deep inside. It came from a feeling of permission,
of purpose, of place. Here and now, I was allowed to grieve and
celebrate these dear people in all their goodness and badness,
their quirks and habits, their unachieved dreams, their life’s
small successes. I went to the market and bought amaranth skulls
and some candy and tobacco I knew my father would like and brought
them back to place on our altar. I said a prayer and cried; later
on, I danced my heart out with a tequila glass in my hand and
laughter on my lips.
Late that evening of Dia de los Muertos, after the vigils at the
cemetery are done and the living had returned to their homes or
to the town center to enjoy the music, I return to the cemetery
with my husband and a friend. We pick our way carefully among
the crowded, lavishly decorated stones. The two-acre cemetery
is bathed with candlelight and the only sound is the faint, magic
noise of the candle flames flickering in the breeze. We pass a
new grave, and a small dog is curled on it, sleeping, keeping
her own vigil. The air around us is thick with listening, with
reverent presence. The ancestors are all around us, and they are
satisfied. They will rest well for another year until their day
comes around again.
Erin Everett is publisher and editor of New Life Journal. Each
year, she goes to Mexico to learn and celebrate. For the rest
of the year, she stays home near Asheville, NC and counts her
blessings.
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